Verse:Tricin/Musical traditions archaeology: Difference between revisions
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The octave in Æ music plays a central role as the interval of equivalence, so this document will use the English term "octave" for lack of a Æ term that is universally agreed upon by Æ musicians. This means that there are only eight pitch classes in traditional Æ music. | The octave in Æ music plays a central role as the interval of equivalence, so this document will use the English term "octave" for lack of a Æ term that is universally agreed upon by Æ musicians. This means that there are only eight pitch classes in traditional Æ music. | ||
Sometimes pieces modulate from any mode from the first group to the third group, and vice versa. | Sometimes pieces modulate from any mode from the first group to the third group, and vice versa. | ||
== Instruments == | == Instruments == | ||
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==Styles== | ==Styles and forms== | ||
The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. Usually this is played by the ''væ{{tilde}}'', ''bæ{{ring}}{{cdb}}m'', and a melody instrument, usually ''slů̀'', ''æ̉m'', or ''vód''. | The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. Usually this is played by the ''væ{{tilde}}'', ''bæ{{ring}}{{cdb}}m'', and a melody instrument, usually ''slů̀'', ''æ̉m'', or ''vód''. | ||
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== Example folk | == Example folk piece == | ||
=== ''Æ{{ring}}{{acute}}q Rin Jav'' === | === ''Æ{{ring}}{{acute}}q Rin Jav'' === | ||