Verse:Tricin/Musical traditions archaeology: Difference between revisions

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==Styles==

The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. A number of Æ dances are listed below in the context of the ''slă{{grave}}n gro{{tilde}}d'' (dance cycle).

The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. Usually this is played by the ''væ{{tilde}}'', ''bæ{{ring}}{{cdb}}m'', and ''slů̀'', ''æ̉m'', or ''vód''.

A number of Æ dances are listed below in the context of the ''slă{{grave}}n gro{{tilde}}d'' (dance cycle).

=== ''slă{{grave}}n gro{{tilde}}d'' (dance cycle) ===

The dance cycle form (''slă{{grave}}n gro{{tilde}}d'') is the longest of all Æ traditional musical forms. The traditional order of the sections is so:

* The main ~~rhythms~~ of each dance is played by the ''bæ{{ring}}{{cdb}}m''.

* The main rhythm of each dance is played by the ''bæ{{ring}}{{cdb}}m''. Most of the time the rhythms are not specified by slashes over the score and the ''bæ{{ring}}{{cdb}}m'' player is expected to know them by heart.

* The beginning is in ''vọj Bæ̀v'' and is an arythmic improvisation, usually by the ''slů̀'' or ''æ̉m'', or both, in imitation.

* The next section is a medium-tempo (about 3 beats per second) dance in 16/8 called ''gro{{tilde}}d Njrå̉v'' in ''vọj Jav Læ{{cdb}}q''. Its main rhythm is:

@@ Line 71: / Line 71: @@
 ==Styles==
-The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. A number of Æ dances are listed below in the context of the ''slă{{grave}}n gro{{tilde}}d'' (dance cycle).
+The most common folk style is a monophonic melody over a drone on 1/1 and 3/2 of the tonic of the mode. It is mostly rhythmic but with complex changing meter. Usually this is played by the ''væ{{tilde}}'', ''bæ{{ring}}{{cdb}}m'', and ''slů̀'', ''æ̉m'', or ''vód''.
+A number of Æ dances are listed below in the context of the ''slă{{grave}}n gro{{tilde}}d'' (dance cycle).
 === ''slă{{grave}}n gro{{tilde}}d'' (dance cycle) ===
 The dance cycle form (''slă{{grave}}n gro{{tilde}}d'') is the longest of all Æ traditional musical forms. The traditional order of the sections is so:
-* The main rhythms of each dance is played by the ''bæ{{ring}}{{cdb}}m''.
+* The main rhythm of each dance is played by the ''bæ{{ring}}{{cdb}}m''. Most of the time the rhythms are not specified by slashes over the score and the ''bæ{{ring}}{{cdb}}m'' player is expected to know them by heart.
 * The beginning is in ''vọj Bæ̀v'' and is an arythmic improvisation, usually by the ''slů̀'' or ''æ̉m'', or both, in imitation.
 * The next section is a medium-tempo (about 3 beats per second) dance in 16/8 called ''gro{{tilde}}d Njrå̉v'' in ''vọj Jav Læ{{cdb}}q''. Its main rhythm is: