Verse:Mwail/Bjeheond/Music: Difference between revisions
m →Pezůms |
m →Pezůms |
||
| Line 14: | Line 14: | ||
In theory, the six possible ''pezům''s with large (C-D) and small (C-C#) steps that build up a scale are: | In theory, the six possible ''pezům''s with large (C-D) and small (C-C#) steps that build up a scale are: | ||
# ''pezům Ykabavin'': C-D-E-E#-F: | # ''pezům Ykabavin'': C-D-E-E#-F: | ||
# ''pezům Lannin'': C-D-Ebb-E#-F (The ''Lannie'' mode is made of two ''pezům Lannin''.) | # ''pezům Lannin'': C-D-Ebb-E#-F (The modern ''Lannie'' mode of the semiquartal scale is made of two ''pezům Lannin''.) | ||
# ''pezům Ahdiebin'': C-D-Ebb-Eb-F | # ''pezům Ahdiebin'': C-D-Ebb-Eb-F | ||
# ''pezům Zierokin'': C-Dbb-Ebb-E#-F (The ''Zierokie'' mode begins with a ''pezům Zierokin''.) | # ''pezům Zierokin'': C-Dbb-Ebb-E#-F (The modern ''Zierokie'' mode begins with a ''pezům Zierokin''.) | ||
# ''pezům Vašmin'': C-Dbb-Ebb-Eb-F (The ''Vašmie'' mode is made of two ''pezům Vašmin''.) | # ''pezům Vašmin'': C-Dbb-Ebb-Eb-F (The modern ''Vašmie'' mode is made of two ''pezům Vašmin''.) | ||
# ''pezům Nobbachin'': C-Dbb-Db-E#-F | # ''pezům Nobbachin'': C-Dbb-Db-E#-F | ||
In practice, usually only the first five are used. The two ''buri''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root). | In practice, usually only the first five are used. The two ''buri''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root). | ||