Verse:Mwail/Bjeheond/Music: Difference between revisions
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The most common diatonic modes in liturgical music are the Locrian and the Locrian #6. If necessary they are approximated with 19edo, for example for Locrian the 7-note subset 0-1-4-8-9-12-15-19 of the ''Pahnačie'' (sLsLsLLsL) mode is used. | The most common diatonic modes in liturgical music are the Locrian and the Locrian #6. If necessary they are approximated with 19edo, for example for Locrian the 7-note subset 0-1-4-8-9-12-15-19 of the ''Pahnačie'' (sLsLsLLsL) mode is used. | ||
=='' | ==''Pezům''s== | ||
In theory, the six possible '' | In theory, the six possible ''pezům''s with large (C-D) and small (C-C#) steps that build up a scale are: | ||
#C-D-E-E#-F | # C-D-E-E#-F ''pezům Ykabav'' | ||
#C-D-Ebb-E#-F | # C-D-Ebb-E#-F ''pezům Lann'' | ||
#C-D-Ebb-Eb-F | # C-D-Ebb-Eb-F ''pezům Ahdieb'' | ||
#C-Dbb-Ebb-E#-F | # C-Dbb-Ebb-E#-F ''pezům Zierok'' | ||
#C-Dbb-Ebb-Eb-F | # C-Dbb-Ebb-Eb-F ''pezům Vášem'' | ||
#C-Dbb-Db-E#-F | # C-Dbb-Db-E#-F ''pezům Nobbach'' | ||
In practice, usually only the first five are used. The two ''buri''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root). | In practice, usually only the first five are used. The two ''buri''s may be disjunct (separated by a major second), or conjunct (either spanning a minor seventh above the root or the major second above the root). | ||
The top note of a '' | The top note of a ''pezům'' functions similarly to the ''ghammāz'' in Arabic ''ajnās''. | ||
A style that emphasizes '' | A style that emphasizes ''pezům''s is preferred for dark, mournful or creepy music (to emphasizing ''pezům''s). | ||
Other '' | Other ''pezům''s which include 2\19 (about 126 cents) steps: | ||
*C-D-Ebb-E-F | *C-D-Ebb-E-F | ||
*C-Db-Ebb-E#-F | *C-Db-Ebb-E#-F | ||
*C-Db-Ebb-E-F | *C-Db-Ebb-E-F | ||
=='' | ==''Buri''s== | ||
[[File:pezeom.png|thumbnail|The '' | [[File:pezeom.png|thumbnail|The ''Lannie'' mode of the 9-note scale, with the ''buri'' 0-250-500-700-950-1200 highlighted (notated in 19edo).]] | ||
'' | ''Buri''s are said to sound brighter. | ||
Common '' | Common ''buri''s are (TODO: Netagin names): | ||
*C-D#-F-G-A#-C ("the most neutral-sounding") | *C-D#-F-G-A#-C ("the most neutral-sounding") | ||
*C-D-E-G-A-C ("mellow and joyful") | *C-D-E-G-A-C ("mellow and joyful") | ||
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*C-D#-E#-G#-A-C ("slightly anxious and distressed") | *C-D#-E#-G#-A-C ("slightly anxious and distressed") | ||
*C-Eb-F-G-Bb-C | *C-Eb-F-G-Bb-C | ||
Rarer '' | Rarer ''buri''s: | ||
*C-Eb-F-G-A#-Cb ("exotic") | *C-Eb-F-G-A#-Cb ("exotic") | ||
*C-D#-F#-Ab-Bb-C 0-250-550-800-1000-1200 ("disoriented") | *C-D#-F#-Ab-Bb-C 0-250-550-800-1000-1200 ("disoriented") | ||
== | == Chanting == | ||
Mainly based on '' | Mainly based on ''buri''s with ornamentations as needed? | ||
== Counterpoint == | |||
===Contrary motion=== | ===Contrary motion=== | ||
*You can resolve to 250 inward. | *You can resolve to 250 inward. | ||
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*''Bonžie'': LsLsLsLLs (Bonzhian) | *''Bonžie'': LsLsLsLLs (Bonzhian) | ||
*''Ťatůpie'': LsLsLsLsL (Tjatupian) | *''Ťatůpie'': LsLsLsLsL (Tjatupian) | ||
*'' | *''Zierokie'': sLLsLsLsL (Zierokian) | ||
*''Vašmie'': sLsLLsLsL (Vashmian) | *''Vašmie'': sLsLLsLsL (Vashmian) | ||
*''Pahnačie'': sLsLsLLsL (Pahnachian) | *''Pahnačie'': sLsLsLLsL (Pahnachian) | ||