Verse:Mwail/Bjeheond/Music: Difference between revisions

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Liturgical chanting is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.
Liturgical chanting is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.


A ''hanier'' /hɐ'nɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''buri'' /'ɾi/ (pentachords or hexachords; lit. 'sprint') or a ''pezům'' /'zuəm/ ('set of five'), a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.
A ''hanier'' /hɐ'nɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''pezům'' /'zuəm/ (pentachords, lit. 'set of five') or a framework based on a ''buri'' /by'ɾi/ (lit. 'sprint'), a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.


The most common diatonic modes in liturgical music are the Locrian and the Locrian #6. If necessary they are approximated with 19edo, for example for Locrian the 7-note subset 0-1-4-8-9-12-15-19 of the ''Pahnačie'' (sLsLsLLsL) mode is used.
The most common diatonic modes in liturgical music are the Locrian and the Locrian #6. If necessary they are approximated with 19edo, for example for Locrian the 7-note subset 0-1-4-8-9-12-15-19 of the ''Pahnačie'' (sLsLsLLsL) mode is used.