User:IlL/Spare pages 1/80: Difference between revisions

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	Physicist Bów'ti Ma'kbów'tfais tried to extend the 22-note system to make it more compatible with playing various tetrachords found in Hetomic music theory. The result was a scale of 34 notes per octave.		Physicist Bów'ti Ma'kbów'tfais tried to extend the 22-note system to make it more compatible with playing various tetrachords found in Hetomic music theory. The result was a scale of 34 notes per octave.

	As later Shalian music saw a move away from tetrachords and towards more harmonic ~~chords~~, emphasizing 7-limit intervals became desirable, thus also using a 22-note well-tempered scale with good harmonic sevenths. Modern Shalian music is standardized to 22-tone equal temperament.		As later Shalian music saw a move away from tetrachords and towards more harmonic, chord-based sounds, emphasizing 7-limit intervals became desirable, thus also using a 22-note well-tempered scale with good harmonic sevenths. Modern Shalian music is standardized to 22-tone equal temperament.