Verse:Mwail/Bjeheond/Music: Difference between revisions

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===''Tsoafta''===

Hlou influence on Windermere music led to the development of a uniquely ~~Windermere~~ tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.

Hlou influence on Windermere music in the Wieb region of Bjeheond led to the development of a uniquely Wiebian tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.

''Tsoafta'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''tsoafta'' artists became cultural icons.

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 ===''Tsoafta''===
-Hlou influence on Windermere music led to the development of a uniquely Windermere tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.
+Hlou influence on Windermere music in the Wieb region of Bjeheond led to the development of a uniquely Wiebian tradition of purely rhythmic music, called ''tsoafta'' (from Windermere ''tsoaf'' 'game, play' + Hlou ''Tal''), played almost exclusively on percussion instruments. But violin family instruments were adapted to this style; performers would strike different parts of their instruments with their fingers, and tune the strings so low that they hit against the fingerboard producing a loud percussive effect. The rhythms used were often extremely fast and complicated and polyrhythms were common.
 ''Tsoafta'' in the Romantic era was thought of primarily as a sport rather than a musical style, and many ''tsoafta'' artists became cultural icons.