Verse:Tricin/Prăfin of Bălang: Difference between revisions
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Prăfin was born and raised in the city of Bălang in Wen Dămea; he was invited to study music in Dodellia at 12 and got a scholarship to go to Bjeheond and study [[Verse:Tricin/Bjeheond/Music|Bjeheondian music]]. | Prăfin was born and raised in the city of Bălang in Wen Dămea; he was invited to study music in Dodellia at 12 and got a scholarship to go to Bjeheond and study [[Verse:Tricin/Bjeheond/Music|Bjeheondian music]]. | ||
Făb-Bălang disliked modern Talman music (read: everything since the Romantic period) since he thought it encouraged elitism. He | Făb-Bălang disliked modern Talman music (read: everything since the Romantic period) since he thought it encouraged elitism. He disapproved of major Talman composers such as Seŋry, Scutzis, and Dzaŋyde, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma. | ||
==Musical pieces== | ==Musical pieces== | ||
Revision as of 04:28, 29 March 2018
Prăfin fab-Bălang /pʰrəˈvin fap pəˈʟaŋ/ was a Windermere psychologist, musicologist and composer.
Todo
Life
Prăfin was born and raised in the city of Bălang in Wen Dămea; he was invited to study music in Dodellia at 12 and got a scholarship to go to Bjeheond and study Bjeheondian music.
Făb-Bălang disliked modern Talman music (read: everything since the Romantic period) since he thought it encouraged elitism. He disapproved of major Talman composers such as Seŋry, Scutzis, and Dzaŋyde, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma.
Musical pieces
- The Invisible Wolf - story and tone poem
- Taab Llhaid Vib Nan (Vi Na Air) - solo piece for ŋamsóm or double bass, inspired by Shumian vi na music and Wiobian Tanquadj