Verse:Tricin/Musical traditions archaeology: Difference between revisions

Line 7:

#* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces. Due to its association with lighthearted dance, it is not usually included in longer works.

# ''vọj Rů̃'': 8:9:10:11:12:14:15:16

#* This mode only exists in theory.

#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.

# ''vọj Var Njị'': 10:11:12:13:15:16:18:20

#* This ''vọj'' symbolizes sadness, fear, or distress, like the similar Maqam Saba.

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#* This ''vọj'' is also termed happy like ''vọj Hủd'', but it is a more selfless happiness.

# ''vọj Mèd'': 12:14:15:16:18:20:22:24

#* This mode only exists in theory.

#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.

These were formalized by theorist Rå̃v Ngúm Sæ̊m in [what calendar?] year 3657, and the nine modes are referred to as ''vọj-vọj Rå̃v'' (note: Æ people are referred to by their given names).

@@ Line 7: / Line 7: @@
 #* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces. Due to its association with lighthearted dance, it is not usually included in longer works.
 # ''vọj Rů̃'':  8:9:10:11:12:14:15:16
-#* This mode only exists in theory.
+#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.
 # ''vọj Var Njị'': 10:11:12:13:15:16:18:20
 #* This ''vọj'' symbolizes sadness, fear, or distress, like the similar Maqam Saba.
@@ Line 19: / Line 19: @@
 #* This ''vọj'' is also termed happy like ''vọj Hủd'', but it is a more selfless happiness.
 # ''vọj Mèd'': 12:14:15:16:18:20:22:24
-#* This mode only exists in theory.
+#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.
 These were formalized by theorist Rå̃v Ngúm Sæ̊m in [what calendar?] year 3657, and the nine modes are referred to as ''vọj-vọj Rå̃v'' (note: Æ people are referred to by their given names).