Verse:Tricin/Musical traditions archaeology: Difference between revisions
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'''Traditional Æ music''' is comprised of various styles, but is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are CS and have a 3/2 on the tonic): | '''Traditional Æ music''' is comprised of various styles, but is entirely based on the following nine seven-note modes found in harmonics 8-16 (the complete list of 7-note subsets that are CS and have a 3/2 on the tonic): | ||
# ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16 | # ''vọj Bæ̀v'': 8:9:10:11:12:13:14:16 | ||
#* This | #* This ''vọj'' is used in a meditative mood as it is also the simplest to describe mathematically. | ||
# ''vọj Hủd'': 8:9:10:11:12:13:15:16 | # ''vọj Hủd'': 8:9:10:11:12:13:15:16 | ||
#* This is canonically called the happiest | #* This is canonically called the happiest ''vọj'' because of its "leading tone" and is frequently used in dance pieces. | ||
# ''vọj Rů̃'': 8:9:10:11:12:14:15:16 | # ''vọj Rů̃'': 8:9:10:11:12:14:15:16 | ||
#* This mode | #* This mode only exists in theory. | ||
# ''vọj Var Njị'': 10:11:12:13:15:16:18:20 | # ''vọj Var Njị'': 10:11:12:13:15:16:18:20 | ||
#* This mode only exists in theory. | |||
# ''vọj Kyn'': 10:11:12:14:15:16:18:20 | # ''vọj Kyn'': 10:11:12:14:15:16:18:20 | ||
#* This ''vọj'' symbolizes a melancholy but uplifting mood at the same time. | |||
# ''vọj Gjám'': 10:11:13:14:15:16:18:20 | # ''vọj Gjám'': 10:11:13:14:15:16:18:20 | ||
#* This ''vọj'' expresses anger, and due to the sociopolitical context of Æ folk music, said anger is directed at the upper classes. | |||
# ''vọj Jav Læ{{cdb}}q'': 12:13:14:16:18:20:22:24 | # ''vọj Jav Læ{{cdb}}q'': 12:13:14:16:18:20:22:24 | ||
#* This ''vọj'' is to symbolise fullness or serenity. | |||
# ''vọj Hír Må̉r'': 12:13:15:16:18:20:22:24 | # ''vọj Hír Må̉r'': 12:13:15:16:18:20:22:24 | ||
#* This ''vọj'' is also termed happy like ''vọj Hủd'', but it is a more selfless happiness. | |||
# ''vọj Mèd'': 12:14:15:16:18:20:22:24 | # ''vọj Mèd'': 12:14:15:16:18:20:22:24 | ||
#* This mode only exists in theory. | |||
These were formalized by theorist Rå̃v Ngúm Sæ̊m in [what calendar?] year 1657, and the nine modes are referred to as ''vọj-vọj Rå̃v'' (note: Æ people are referred to by their given names). | These were formalized by theorist Rå̃v Ngúm Sæ̊m in [what calendar?] year 1657, and the nine modes are referred to as ''vọj-vọj Rå̃v'' (note: Æ people are referred to by their given names). | ||
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Unlike other cultures in Timeline 1's Theasphere, the Æ do not have speech-tone music. | Unlike other cultures in Timeline 1's Theasphere, the Æ do not have speech-tone music. | ||
The fundamental pitch, ''dó'' (commonly called pitch class 8, see the section on notation), is usually taken to have a value of 2<sup>22</sup> vibrations per day in scientific communities, though traditional Æ ensembles | The fundamental pitch, ''dó'' (commonly called pitch class 8, see the section on notation), is usually taken to have a value of 2<sup>22</sup> vibrations per day in scientific communities, though traditional Æ ensembles usually have a movable ''dó''. There is usually only one traditional tonic for each mode: | ||
* for the first group, ''Bæ̀v, Hủd'' and ''Rů̃'' the tonic is pitch class 8 | * for the first group, ''Bæ̀v, Hủd'' and ''Rů̃'' the tonic is pitch class 8 | ||
* for the second group, ''Var Njị, Kyn'' and ''Gjám'' the tonic is pitch class 10 | * for the second group, ''Var Njị, Kyn'' and ''Gjám'' the tonic is pitch class 10 | ||
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==Notation== | ==Notation== | ||
The numbers 8 to 15 are used on a line, indicating the harmonic scale 8:9:10:11:12:13:14:15, with superscript numbers to indicate how many octaves above ''dó'' the note is played. Here are the 40 | The numbers 8 to 15 are used on a line, indicating the harmonic scale 8:9:10:11:12:13:14:15, with superscript numbers to indicate how many octaves above ''dó'' the note is played. Here are the 40 notes in the traditional gamut of Æ music. | ||
8<sup>0</sup> is the notation for the lowest ''dó''. | 8<sup>0</sup> is the notation for the lowest ''dó''. | ||