Verse:Mwail/Bjeheond/Music: Difference between revisions

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'''Bjeheondian music''' is based on [[Netagin]] music. In modern times it is usually notated based on 19 equal divisions of the octave (19edo), however real-world intonational practices differ by region and context. Liturgical and folk music is usually based on scales similar to the semiquartal scale, the nine-note scale 331313131 which is an extension of the familiar pentatonic scale. This article mainly deals with the use of the semiquartal scale in Netagin music.

~~Liturgical chanting~~ is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.

Folk music is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.

A ''hanier'' /hɐ'nɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''pezům'' /pɛ'zuəm/ (pentachords, lit. 'set of five') or a framework based on a ''buri'' /by'ɾi/ (lit. 'sprint'), a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.

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 '''Bjeheondian music''' is based on [[Netagin]] music. In modern times it is usually notated based on 19 equal divisions of the octave (19edo), however real-world intonational practices differ by region and context. Liturgical and folk music is usually based on scales similar to the semiquartal scale, the nine-note scale 331313131 which is an extension of the familiar pentatonic scale. This article mainly deals with the use of the semiquartal scale in Netagin music.
-Liturgical chanting is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.
+Folk music is not fixed to a particular tuning and may use traditional microtonal inflections or fine-tuned intervals.
 A ''hanier'' /hɐ'nɪɾ/ (literally 'stepping') consists of a nine-note scale plus which subsets to emphasize, either a set of two ''pezům'' /pɛ'zuəm/ (pentachords, lit. 'set of five') or a framework based on a ''buri'' /by'ɾi/ (lit. 'sprint'), a pentatonic subset where 1\19 is not used as a step. Different styles encourage different subset use.