Verse:Hmøøh/Talma/Music: Difference between revisions
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===Gweats Dynasty music=== | ===Gweats Dynasty music=== | ||
Composer Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']], which describes Partchian tonality diamonds, came to codify Windermere imperial courtly music. In particular, he recommended against using fixed-pitch instruments, arguing that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Talman music are flexible-pitch instruments. Since Mărotłism banned the killing of mammals but not of fish, fish glue and hide glue could be used for repairs instead of hide glue. Hence | Composer Tsăhong Tamdi's treatise [[Literature:Elements of Harmony|''Elements of Harmony'']], which describes Partchian tonality diamonds, came to codify Windermere imperial courtly music. In particular, he recommended against using fixed-pitch instruments, arguing that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Talman music are flexible-pitch instruments. Since Mărotłism banned the killing of mammals but not of fish, fish glue and hide glue could be used for repairs instead of hide glue. Hence viola organistas could still be commonly used in imperial Windermere music. | ||
===Fnüeng Dynasty music=== | ===Fnüeng Dynasty music=== | ||
Later imperial courtly music used more general cross-sets and incorporated more folk music elements. Many choral, chamber and orchestral works from this period are considered part of the canon. The aesthetic was quiet and calm, somewhat like Renaissance music. | Later imperial courtly music used more general cross-sets and incorporated more folk music elements. Many choral, chamber and orchestral works from this period are considered part of the canon. The aesthetic was quiet and calm, somewhat like Renaissance music. | ||