Verse:Tricin/Prăfin of Bălang: Difference between revisions
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==Musical pieces== | ==Musical pieces== | ||
*''Doan șangut Łep'' - for dulcimer, eight flutes or cellos and ''pātre'' | |||
*''The Invisible Wolf'' - story and tone poem | *''The Invisible Wolf'' - story and tone poem | ||
*''Taab Llhaid Vib Nan'' (''Vi-Na Air'') - solo piece for ''ŋamsóm'' or double bass, inspired by Shumian [[Verse:Tricin/Bjeheond/Music|vi-na]] music and Wiobian ''Tanquahdj'' | *''Taab Llhaid Vib Nan'' (''Vi-Na Air'') - solo piece for ''ŋamsóm'' or double bass, inspired by Shumian [[Verse:Tricin/Bjeheond/Music|vi-na]] music and Wiobian ''Tanquahdj'' | ||
[[Category:Composers]] | [[Category:Composers]] | ||
Revision as of 04:59, 16 July 2018
Prăfin fab-Bălang /pʰrəˈvin fap pəˈʟaŋ/ was a Windermere psychologist, musicologist and composer.
Todo
Life
Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Dodellia at 12 and got a scholarship to go to Bjeheond and study Bjeheondian music.
Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Seŋry, Scutzis, and Dzaŋyde, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma.
Musical pieces
- Doan șangut Łep - for dulcimer, eight flutes or cellos and pātre
- The Invisible Wolf - story and tone poem
- Taab Llhaid Vib Nan (Vi-Na Air) - solo piece for ŋamsóm or double bass, inspired by Shumian vi-na music and Wiobian Tanquahdj