Verse:Mwail/Bjeheond/Music: Difference between revisions
| Line 25: | Line 25: | ||
When working with the second tuning, composers often work with subsets of the set of possible fundamentals (called ''Rag''); e.g. they might only work with overtone series on G, Eb, C, Bb and Ab (a ''Rag'' called ''Schwan Ton'', which is a traditional ''Rag'' for the final pieces of concerts). | When working with the second tuning, composers often work with subsets of the set of possible fundamentals (called ''Rag''); e.g. they might only work with overtone series on G, Eb, C, Bb and Ab (a ''Rag'' called ''Schwan Ton'', which is a traditional ''Rag'' for the final pieces of concerts). | ||
Other common ''Rag''s are: | |||
*''Flieg Lieb'' | |||
*''Pfohl Lieb'' | |||
===Rhythm=== | ===Rhythm=== | ||