Verse:Mwail/Bjeheond/Music: Difference between revisions
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*overtone scales up to the 16th harmonic on the fundamentals G 1/1, Eb 8/5, C 4/3, A 8/7 and F 16/9. | *overtone scales up to the 16th harmonic on the fundamentals G 1/1, Eb 8/5, C 4/3, A 8/7 and F 16/9. | ||
*overtone scales up to the 12th harmonic on the fundamentals G 1/1, Eb 8/5, C 4/3, A 8/7, Ab 16/15, F 16/9, D 32/21, Bb 32/27 (higher harmonics above these fundamentals are technically allowed; they're just not used on fixed pitch instruments) | *overtone scales up to the 12th harmonic on the fundamentals G 1/1, Eb 8/5, C 4/3, A 8/7, Ab 16/15, F 16/9, D 32/21, Bb 32/27 (higher harmonics above these fundamentals are technically allowed; they're just not used on fixed pitch instruments) | ||
When working with the second tuning, composers often work with subsets of the set of possible fundamentals (called ''Rag''); e.g. they might only work with overtone series on G, F, D, C, and A (a ''Rag'' called ''Kläb Schwan''). | |||
===Rhythm=== | ===Rhythm=== | ||