Literature:Elements of Harmony: Difference between revisions
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**chord voicings | **chord voicings | ||
**The tonality diamond is described as a way to "connect" overtone chords/scales over different fundamentals. | **The tonality diamond is described as a way to "connect" overtone chords/scales over different fundamentals. | ||
Tsăhongtamdi's most influential recommendation was against using fixed-pitch instruments; he argued that they were expressively limited. This recommendation was lasting in influence - most instruments used in traditional Hlou-Shum music are flexible-pitch instruments. | |||
==Full text (Schlaub)== | ==Full text (Schlaub)== | ||
==Full text (Classical Windermere)== | ==Full text (Classical Windermere)== | ||
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Ts-T derives using calculus that the desired function is well-approximated by Taylor polynomials: namely, $log(x+1) = A(x+1) ≈ \sum_{n=1}^{N} (-1)^n \frac{x^n}/{n}$, when $|x| < 1$. | Ts-T derives using calculus that the desired function is well-approximated by Taylor polynomials: namely, $log(x+1) = A(x+1) ≈ \sum_{n=1}^{N} (-1)^n \frac{x^n}/{n}$, when $|x| < 1$. | ||
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[[Category:Tricin]] | |||