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| '''Prăfin fab-Bălang''' /pʰrəˈvin fap pəˈʟaŋ/ was a [[Windermere]] psychologist, musicologist and composer. | | :''This is a [[Windermere/Names|Windermere name]]. This person is properly referred to by their given name, Prăfin.'' |
| ==Todo==
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| | '''Prăfin of Bălang''' (''Prăfin fa Bălang'' /pʁəˈvin və bəˈlɒŋ/) was a Windermere psychologist, musicologist and composer. |
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| ==Life== | | ==Life== |
| Prăfin was born and raised in the city of Rǎ'ac Thea in Wen Dămea; he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. Four years later he got a scholarship to go to Bjeheond and study [[Verse:Tricin/Bjeheond/Music|Bjeheondian music]]. | | Prăfin was born and raised in the city of Bălang in ???, he was invited to study music in Palkha at 12 by Yăchef rith Sămtsay, a composer who gained notoriety in Talma for ???. |
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| | Prăfin disliked modern Talman music, and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as ???, and theoretical constructs such as regular temperaments. As a reaction to these trends, Prăfin became an exponent of the Expressionist (placeholder name) movement in Talma. His later works were inspired by various traditional musics all over Tricin, including Etalocin. |
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| Făb-Bălang disliked modern Talman music for its elitism - and by extension, everything since the Romantic period, since he saw the whole tradition as encouraging elitism. He disapproved of major Talman composers such as Sǽngeor, Sgutsis, and Djangdhæ, and theoretical constructs such as regular temperaments. As a reaction to these trends, făb-Bălang became an exponent of the Neoclassical movement in Talma.
| | Languages: Windermere (native), Clofabosin (somewhat fluent), Hlou (academic) |
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| ==Musical pieces== | | ==Musical pieces== |
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| Composed in Palkha:
| | Early works inspired by Talman Romantics |
| *''Doan șăngut Chräf'' (One to Eight) - a postminimalist piece in the Răthamrona tradition, for dulcimer, eight flutes or cellos and eight ''pātre''s
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| *''Āku viḍavē Saraṇāva'' (''Ec fi Sarana yătham'', Over the calm Sarana) and ''Sakhēḷi hā Vaṇē Baḷāng'' (''Rie pădar teał łen, ey Bălang hachüs'', Dear Balang, I must leave you) - Palkhan classical pieces, commissioned by the vocalist ___ | | *''Chnuream Hănier'' (Hanier Ditty, Ntg. ''Doxun Hanier'') - solo piece for ''ŋamsóm'' or double bass, inspired by Bjeheondian music |
| **The lyrics of ''Āku viḍavē Saraṇāva'' were written by the Palkhan poet Ṇajabaḷda, while ''Sakhēḷi hā Vaṇē Baḷāng'' was written by lyricist and Palkhan scholar H.V. Sarapaṇaṭṭa, a friend of Yăchef rith Sămtsay.
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| Sakhēḷi hā Vaṇē Baḷāng,
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| Rasōṇu yāta ṭhēvaṇā!
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| Ho Khēdayā ḷdaṇē cavā
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| Yaḍūn saḷā tarōḷdumā
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| Ṇatēta vāṇnatō vaṭē,
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| Hutēri hā Ḷdurāṇahē,
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| Atē, ''yaf binsithnga 'mnutłach''
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| Itē Pravīṇa-ṇōjavē
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| Composed in Bjeheond:
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| *''Chnuream Hanier'' (Hanier Ditty, should have a Netagin name) - solo piece for ''ŋamsóm'' or double bass, inspired by Bjeheondian music
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| [[Category:Composers]] | | [[Category:Composers]] |
| | [[Category:Tricin]] |