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| EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)
| | ==Shalaian music== |
| | 18edo; the most frequently used liturgical modes are modes or alterations of 5L 3s, 4L 3s or forms of Locrian. |
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| | 26edo (tuned by tuning a chain of perfect 7/4's by ear), 5L3s MOS in 13edo |
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| ==Netagin music== | | ==Netagin music== |
| Semaphore[9]-based. Modern Netagin music is usually in 19edo, but in some contexts, a tuning closer to 24edo is preferred, so 24edo notation will be used in this section.
| | Liturgical music is parahard 5L 4s-based, 34edo is used in other contexts |
| | | ==Ouřefr music== |
| A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'', a pentatonic subset where (a) the perfect fifth is used above the root and (b) 1\24 is not used as a step (used in folk music). Different styles encourage different subset use.
| | 21edo |
| ===''Buri''s=== | |
| The six possible pentachords in semaphore[9]:
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| 4411
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| 4141
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| 4114
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| 1441
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| 1414
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| 1144
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| The top note functions similarly to the ''ghammaz'' in Arabic ''ajnas''.
| | ==Varkun music== |
| | | JI CPS stuff |
| A style that emphasizes ''buri''s is preferred for dark, mournful or creepy music (to emphasizing ''pezeom''s).
| | ==Rozzino music== |
| | | Something mavila-based |
| ===''Pezeom''s===
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| Common ''pezeom''s are:
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| *0-250-500-700-950-1200 ("the most neutral-sounding")
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| **Variant: 0-200-500-700-950
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| *0-200-400-700-900-1200 ("joyful")
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| *0-200-400-700-950-1200 ("majestic")
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| *0-250-450-700-950-1200 ("slightly sad")
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| **Variant: 0-200-450-700-950-1200
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| *0-250-500-750-950-1200
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| *0-250-450-750-950-1200
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| *0-300-500-700-1000-1200
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| *0-300-500-700-950-1150
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| *0-250-550-800-1000-1200
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| ''Pezeoms'' in various semaphore[9] modes:
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| *Megalonian (LLsLsLsLs): 0-200-400-700-900 (meantone pentatonic), 0-200-400-700-950, 0-200-450-700-900, 0-200-450-700-950
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| *Biollantian (LsLLsLsLs): 0-200-450-700-900, 0-250-450-700-900, 0-200-450-700-950, 0-250-450-700-950
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| ==Shalaian music== | |
| Take subsets of 46edo
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| ==Ouřefr music== | |
| 19edo due to Netagin influence
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| ==Nabbrzé music==
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