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| EDOs easier to tune than 12edo by ear: 19 (6/5), 24 (11/6 and 11/8), 26 (7/4), 27 (7/6 and 6/5, or 1/3-comma superpyth), 31(quarter comma meantone), 36 (7/6 and 3/2), 46 (11/7 and 9/5), 53 (3/2)
| | ==Shalaian music== |
| | 18edo; the most frequently used liturgical modes are modes or alterations of 5L 3s, 4L 3s or forms of Locrian. |
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| ==Music in Edna's concultures==
| | 26edo (tuned by tuning a chain of perfect 7/4's by ear), 5L3s MOS in 13edo |
| ===Liturgical music===
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| Semaphore[9]-based. Netagin music is usually 19edo, but in these contexts, a tuning closer to 24edo is preferred.
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| A ''haṅier'' (literally 'stepping') consists of a scale (a choice of pitches relative to the tonic) plus which subsets to emphasize, either a set of two ''buri'' (pentachords or hexachords; used in liturgical music) or a ''pezeom'' (a pentatonic subset where 1\24 is not used as a step; used in folk music).
| | ==Netagin music== |
| | Liturgical music is parahard 5L 4s-based, 34edo is used in other contexts |
| | ==Ouřefr music== |
| | 21edo |
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| The six possible pentachords in semaphore[9]:
| | ==Varkun music== |
| 4411
| | JI CPS stuff |
| 4141
| | ==Rozzino music== |
| 4114
| | Something mavila-based |
| 1441
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| 1414
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| 1144
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| Common ''pezeom''s are:
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| *C-Dh-F-G-Ah-C (symmetric semaphore)
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| *C-Dh-Eh-G-Ah-C
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| *C-D-Eh-G-Ah-C (8:9:12:14 extended to an essentially tempered 9-odd limit pentad)
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| *C-D-E-G-A-C (meantone major pentatonic)
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| *C-D-F-G-Bb-C
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| *C-Eb-F-G-Bb-C (rare)
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| ''Pezeoms'' in various semaphore[9] modes:
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| *0-200-400-700-900
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| ===Shalaian music===
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| Take subsets of 46edo
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| ===Ouřefr music=== | |
| ===Nabbrzé music===
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