Glommish/Musical system: Difference between revisions

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 żard = maqam
-Maqam names used in Thedish music aren't translated: Rást, Baját, Ażem, Kurd, Syká, Sabe, Hiżáz, Nahavend
+Maqam names used in Thedish music aren't translated: Rástı, Bajátı, Ażem, Kurdı, Sieká, Sabe, Hiżáz, Nahavend
 sometimes they use ''dur'' and ''mól'' instead of Ażem and Nahavend
@@ Line 42: / Line 42: @@
 lióþ = song
+lióþer = melody (from *hleu-þrą <- PIE *klew-trom)
 ==Styles==
@@ Line 53: / Line 55: @@
 ==Thedish musicians==
-*Andrie '''Hóchenhym''', composer and tuning theorist; proposed 29edo as a tuning for Thedish fixed pitch instruments like accordions and mandoles so that both European music and North African music could be played
+[to revamp]
-*Marczel '''Myna''', composer
-*Davúd [???], prolific symphonist (wrote 50 symphonies)
-*Andrew '''Lobotch''', composer known for contrapuntal maqam music
-**''Six Cello Suites after Bach'' in G Rast, D Saba, C Hijaz, Eb Ajam, C Nahawand, and D Bayat
-*Walter '''Ytfield''', contemporary tuning theorist and maqam scholar
-**the Lióbacz-Ytfield dispute on whether maqams are scales or melodic frameworks
-*Arve '''Anedь''', minimalist composer