Xaetjeon - Revision history

IlL at 16:42, 18 July 2019

2019-07-18T16:42:11Z

← Older revision		Revision as of 16:42, 18 July 2019
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	==Phonology==		==Phonology==
	Rencadian Xaetjeon has the following phonology.		Rencadian (''Erehcādoz'') Xaetjeon has the following phonology.

	===Consonants===		===Consonants===

IlL at 12:05, 18 July 2019

2019-07-18T12:05:49Z

← Older revision		Revision as of 12:05, 18 July 2019
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	==Phonology==		==Phonology==
	Rencadian Xaetjeon has the following phonology.		Rencadian Xaetjeon has the following phonology.

			===Consonants===
			{\| class="wikitable"
			\|-
			! !! Labial !! Dental !! Alveolar !! Lateral !! Postalveolar !! Palatal !! Velar !! Glottal
			\|-
			\| Aspirated Stop/Affricate \|\| p /pʰ/ \|\| t /tʰ/ \|\| ts /tsʰ/ \|\| tq /tɬʰ/ \|\| tj /tʃʰ/ \|\| \|\| c /kʰ/ \|\|
			\|-
			\| Unaspirated Stop/Affricate \|\| b /p/ \|\| d /t/ \|\| dz /ts/ \|\| dx /tɬ/ \|\| dj /tʃ/\|\| \|\| g /k/\|\|
			\|-
			\| Voiceless Fricative \|\| f /f/ \|\| th /θ/\|\| s /s/ \|\| q /ɬ/\|\| sj /ʃ/ \|\| \|\| ch /x/ \|\| h /h/
			\|-
			\| Voiced Fricative \|\| v /v/ \|\| dh /ð/\|\| z /z/\|\| x /ɮ/ \|\| zj /ʒ/\|\| \|\| gh /ɣ/\|\|
			\|-
			\| Nasal \|\| m /m/\|\| n /n/\|\| \|\| \|\| \|\| \|\| ng /ŋ/ \|\|
			\|-
			\| Approximant \|\| \|\| \|\| \|\| l /ɫ/\|\| \|\| y /j/\|\| w /w/\|\|
			\|-
			\| Voiced Trill \|\| \|\| \|\| r /r/ \|\| \|\| \|\| \|\| \|\|
			\|}

			;Notes
			*In casual speech, the unaspirated stops and affricates /p t ts tɬ tʃ k/ are voiced intervocalically to [b d dz dɮ dʒ ɡ].

IlL at 05:59, 18 July 2019

2019-07-18T05:59:36Z

← Older revision		Revision as of 05:59, 18 July 2019
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	'''Xaetjeon''' (from ''in ~~huēyaca Tłhēhtxin~~'') is a Naquic language.		'''Xaetjeon''' (from ''in huēyacaz Tłhēhtximiz'') is a Naquic language.

	==Phonology==		==Phonology==
	Rencadian Xaetjeon has the following phonology.		Rencadian Xaetjeon has the following phonology.

IlL at 05:57, 18 July 2019

2019-07-18T05:57:42Z

← Older revision		Revision as of 05:57, 18 July 2019
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	'''Xaetjeon''' (from ''in huēyaca Tłhēhtxin') is a Naquic language.		'''Xaetjeon''' (from ''in huēyaca Tłhēhtxin'') is a Naquic language.

	==Phonology==		==Phonology==
	Rencadian Xaetjeon has the following phonology.		Rencadian Xaetjeon has the following phonology.

IlL at 05:57, 18 July 2019

2019-07-18T05:57:34Z

← Older revision		Revision as of 05:57, 18 July 2019
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	'''Xaetjeon''' (from in huēyaca Tłhēhtxin) is a Naquic language.		'''Xaetjeon''' (from ''in huēyaca Tłhēhtxin') is a Naquic language.

			==Phonology==
			Rencadian Xaetjeon has the following phonology.

IlL at 04:14, 15 July 2019

2019-07-15T04:14:44Z

← Older revision		Revision as of 04:14, 15 July 2019
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	'''Xaetjeon''' is a Naquic language.		'''Xaetjeon''' (from in huēyaca Tłhēhtxin) is a Naquic language.

IlL at 04:10, 15 July 2019

2019-07-15T04:10:34Z

← Older revision	Revision as of 04:10, 15 July 2019
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		'''Xaetjeon''' is a Naquic language.

IlL: IlL moved page Verse:Tricin/Naquiz/Music to Xaetjeon without leaving a redirect

2019-07-15T04:10:12Z

IlL moved page Verse:Tricin/Naquiz/Music to Xaetjeon without leaving a redirect

← Older revision	Revision as of 04:10, 15 July 2019
(No difference)

IlL: Blanked the page

2019-07-15T02:57:00Z

Blanked the page

← Older revision		Revision as of 02:57, 15 July 2019
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	~~=Naquian music=~~
	~~==Instruments==~~
	~~==Tuning==~~
	~~Naquic music uses a division of the perfect fifth into 8 equal parts.~~
	~~<!--~~
	~~====To clean up====~~
	~~<poem>~~
	~~early naquians could have started out with JI~~
	the difference between naquian music and etalocian music would be that the former cared more about "expressiveness" (kind of like the romantics) than harmony (making their approach to tuning more 'fluid')
	~~hence, peppermint tuning!~~
	~~that expressiveness could have come from theater~~
	~~whereas the etalocians value precision/purity of harmony more~~
	~~which is why the art song tradition emerged much later~~
	~~(like even the way the instruments are built in etalocin reflect a more structurally microtonal approach)~~
	~~that might have weird consequences for naquian "mathemusic"~~
	~~like, naquians may think of the scale in terms of rough 'pitch classes' (formalized by CS)~~
	~~</poem>~~
	~~<poem>~~
	~~some things that might arise in the actual music:~~
	~~1) heavy ornamentation (trills, yodeling, falsetto, vibrato ...)~~
	~~2) neutral third scales (Bruno Nettl found that infants experimenting with singing tend to use neutral thirds quite a bit)~~
	~~but no throat singing~~
	~~choral "polyphony" of a different kind (less focused on pure harmonies and more on "gestures")~~
	~~and Partch-style corporeality!~~
	~~folk music of course might use just intonation with instruments that use the overtone series (like the jaw harp and overtone flutes)~~
	~~the weird side effect is Etalocin doesn't have a "Partch figure"~~
	~~(because Partchian music is an ancient tradition)~~
	~~the Xaetjeon people collectively import it to Etalocin~~
	~~some instruments can start out as simple devices used to imitate natural phenomena (animal calls, wind, thunder ...) in theater~~
	~~then some clever modern Naquian would find a way to capture those effects on the ngjeomsam 😀~~
	~~let's say the emphasis on neutral thirds leads to a rough division of the octave into 7 parts~~
	~~and a 27 tone octave (that's another neutral third MOS)~~
	~~though the closest i can get to 7edo in 27edo is 4 4 4 3 4 4 4~~
	~~or 4 4 4 4 3 4 4 for a mode with a perfect fifth~~
	~~that gives me an idea for terminology~~
	~~each step in 7edo can be likened to a lunar cycle (divided into 4 parts, full moon, waning, new moon and waxing)~~
	~~there will be overlap between the "full moon" of the first step and the "waxing" part of the last step (since there are 27 and not 28 steps in the naquian octave)~~
	~~or the step that's subdivided into 3 can be considered "defective"~~
	~~this "micro"-subdivision is used in two places~~
	~~1) with instruments of fixed pitch~~
	~~2) in pedagogic methods so students can get a rough idea as to where the intervals lie~~
	~~(for students of voice and flexible pitch instruments)~~
	~~[RT theorist] could give the name '["Naquian tuning"]' to tetracot temperament 😀~~
	~~or '["Naquian temperament"]' (a misnomer on many levels!)~~
	~~in fact a 7 step octave would make it possible for a notation a lot like our staff notation to be adopted in the naquosphere! (leaving etalocians with something symbolic like daseian?)~~

	~~a possible naquian notation~~
	~~the 27 tone "scale"~~
	~~(dots signify raising and lowering by discrete quantities, fancier shapes next to the notes are used for other ornaments)~~
	~~sounds like C Db Ed Fd(trilled with G) G->F#->G kind of~~
	~~often played as 1/1 21/20 5/4 9/7 3/2->10/7->3/2 on the sewvore~~
	~~</poem>~~
	~~-->~~

	~~==Rhythm==~~
	~~==Styles and forms==~~
	~~==Notation==~~

IlL at 00:00, 14 July 2019

2019-07-14T00:00:38Z

← Older revision		Revision as of 00:00, 14 July 2019
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	==Instruments==		==Instruments==
	==Tuning==		==Tuning==
	~~Naquian~~ music uses ~~7-tone scales rich in neutral thirds. Scales are abstractly viewed as subsets~~ of a scale with 27 roughly equal steps per octave. The 3L 4s MOS scale (5 3 3 5 3 5 3) may be used, but they use other, non-MOS 7-note scales as well. The quasi-equal 6L 1s MOS scale (4 4 4 4 4 4 3) in 27edo is mainly used as a reference point rather than as an actual musical scale, in that notation is based on the 6L 1s scale in the same way that Western notation is based on the ~~diatonic scale.~~		Naquic music uses a division of the perfect fifth into 8 equal parts.

	~~Movement by one step of 27edo is usually avoided, since it is considered difficult to sing.~~

	~~Historically other micro-divisions have been used or proposed - especially 27-well temperaments, 17-well temperaments or 17-~~equal.
	<!--		<!--
	====To clean up====		====To clean up====