Verse:Tricin/Mpfa Wieb/Music - Revision history

H. H. P. M. P. Cole: /* Hlou-Shum music */

2025-08-13T08:53:36Z

Hlou-Shum music

← Older revision		Revision as of 08:53, 13 August 2025
Line 35:		Line 35:
	** This is used more in Hlou popular music as it provides a harmonic and rhythmic foundation when other bass instruments, like the contrabass rebec (''Ntzaun man hahn'') are absent.		** This is used more in Hlou popular music as it provides a harmonic and rhythmic foundation when other bass instruments, like the contrabass rebec (''Ntzaun man hahn'') are absent.

	Inharmonic and unpitched percussion instruments like chimes (''Ngien Trad''), timpani (''~~Ben~~''), bells (''Glog''), woodblocks (''Zies Rein''), marimbas (especially the diamond marimba, ''Kla Drad''), and rasps are also common.		Inharmonic and unpitched percussion instruments like chimes (''Ngien Trad''), timpani (''Bän''), bells (''Glog''), woodblocks (''Zies Rein''), marimbas (especially the diamond marimba, ''Kla Drad''), and rasps are also common.

	Other common (popular) instruments are the kantele (''Zeig Pfaß'', from Liai music), the lyre (''Zeib''), and the viola organista (a Windermere invention), tuned to harmonics from 4 to 16. The modern versions of these instruments have many pedals, like a harp, for the various ''Rag''s (sets of fundamentals) used in Hlou music.		Other common (popular) instruments are the kantele (''Zeig Pfaß'', from Liai music), the lyre (''Zeib''), and the viola organista (a Windermere invention), tuned to harmonics from 4 to 16. The modern versions of these instruments have many pedals, like a harp, for the various ''Rag''s (sets of fundamentals) used in Hlou music.

H. H. P. M. P. Cole: /* Hlou-Shum music */

2025-07-02T01:29:42Z

Hlou-Shum music

← Older revision		Revision as of 01:29, 2 July 2025
Line 12:		Line 12:

	A popular instrument in [[Hlou]] and [[Ko]] music is the ''Blad'' which is a curled-up long plant leaf (similar to a banana leaf) that when blown, produces a shrill, high pitched sound. Different pitches can be produced by pulling on the ''Blad''. It commonly plays in the soprano register, though modern genetic engineering alows one to make larger leaves for lower-pitched ''Blad''.		A popular instrument in [[Hlou]] and [[Ko]] music is the ''Blad'' which is a curled-up long plant leaf (similar to a banana leaf) that when blown, produces a shrill, high pitched sound. Different pitches can be produced by pulling on the ''Blad''. It commonly plays in the soprano register, though modern genetic engineering alows one to make larger leaves for lower-pitched ''Blad''.

			Unfortunately, due to modern Hlou music being somewhat like a mish-mash of Talman harmony-based music and Æ melody-based music, it contains artifacts of both in ensemble works.

	Other commonly used instruments are:		Other commonly used instruments are:
	* the jaw harp (''Schön Ried'')		* the jaw harp (''Schön Ried'')
	* the tromba marina (''Trlöb Schmie''). It is traditionally (up to the Classical period) the leader (''Ndob die in Ve Rein'', lit. orchestra's first person) of Hlou ''Ve Rein''.		** It usually plays in unison with the ''Trlöb Schmie''.
			* the tromba marina (''Trlöb Schmie'')
			** It is traditionally (up to the Classical period) the leader (''Ndob die in Ve Rein'', lit. orchestra's first person) of Hlou ''Ve Rein''. It provides the tuning note and guides the players in melody.
	* the bowed psaltery (''Trlaub'')		* the bowed psaltery (''Trlaub'')
			** It is thought to be influenced by the Clofab ''penicillin'' though this is debated. It plays melodies that the ''Trlöb Schmie'' cannot reach.
	* the slide guitar (''Dru'')		* the slide guitar (''Dru'')
			** This is slowly becoming obsolete due to its usage in Talma being discouraged by Naeng people.
	* the overtone panflute (''Kon Txo-Ka'')		* the overtone panflute (''Kon Txo-Ka'')
			** These play melodies in the high register.
	* the ''cor omnitonique'' proper (''Fies Txo-Ka'')		* the ''cor omnitonique'' proper (''Fies Txo-Ka'')
	* ~~uilleann pipes (~~''~~siamh fheigh~~'' (Hlou ''~~Sieg Vein~~''~~) used in Ko music)~~		** This is a refinement of, the Æ ''vód'' used in Hlou ''Ve Rein''.
	* rebecs (''Ntzaun'') and violins (''Ntxäd'') of various sizes		* rebecs (''Ntzaun'') and violins (''Ntxäd'') of various sizes
	* and ~~various kinds~~ of ~~prepared~~ piano, guitar, and ~~hammered dulcimer~~.		** These form the main bulk of the ensemble, like in Western music, and usually play in four-part harmony similar to the one taught in our Europe, with the exception of the tuning being different.
			* the piano (''Dxon Nkeg'')
			** This is used more like pitched percussion, and is a common instrument to specialize in in Hlou conservatories. However, unlike our piano, the ''Dxon Nkeg'' uses first-class levers instead of a complicated hammer mechanism.
			* the guitar (''Lun Schrahn'', from Æ music)
			** This is used more in Hlou popular music as it provides a harmonic and rhythmic foundation when other bass instruments, like the contrabass rebec (''Ntzaun man hahn'') are absent.

	Inharmonic and unpitched percussion instruments like chimes, timpani, bells, woodblocks, marimbas (especially the diamond marimba, ''Kla Drad''), and rasps are also common. ~~Experimentalists might use the~~		Inharmonic and unpitched percussion instruments like chimes (''Ngien Trad''), timpani (''Ben''), bells (''Glog''), woodblocks (''Zies Rein''), marimbas (especially the diamond marimba, ''Kla Drad''), and rasps are also common.

	Other common instruments are the kantele (''Zeig Pfaß'', from Liai music), the lyre (''Zeib''), and the viola organista (a Windermere invention), tuned to harmonics from 4 to 16. The modern versions of these instruments have many pedals, like a harp, for the various ''Rag''s (sets of fundamentals) used in Hlou music.		Other common (popular) instruments are the kantele (''Zeig Pfaß'', from Liai music), the lyre (''Zeib''), and the viola organista (a Windermere invention), tuned to harmonics from 4 to 16. The modern versions of these instruments have many pedals, like a harp, for the various ''Rag''s (sets of fundamentals) used in Hlou music.

	===Tuning===		===Tuning===
Line 32:		Line 43:
	Hlou musicians don't confine themselves to fixed tuning systems, except on fixed pitch instruments, which are typically tuned to JI scales based on the tonic G = 404 Hz. The note a 4/1 below that, 101 Hz, is referred to in Hlou as the ''Gab Mud''. Notes are specified as ratios from the ''Gab Mud''.		Hlou musicians don't confine themselves to fixed tuning systems, except on fixed pitch instruments, which are typically tuned to JI scales based on the tonic G = 404 Hz. The note a 4/1 below that, 101 Hz, is referred to in Hlou as the ''Gab Mud''. Notes are specified as ratios from the ''Gab Mud''.

	Melodies in Hlou music are inspired by the contours of speech, and follow the tones of the [[~~Hlou~~]] language.		Melodies in Hlou music are inspired by the contours of speech, and follow the tones of the [[Schlaub]] language.

	Later Hlou music uses tunings that consist of many overtone scales on different fundamentals; often the fundamentals themselves form an overtone or undertone series, in the latter case producing a Partchian "tonality diamond" structure, coincidentally very similar to classical Gweats dynasty courtly music.		Later Hlou music uses tunings that consist of many overtone scales on different fundamentals; often the fundamentals themselves form an overtone or undertone series, in the latter case producing a Partchian "tonality diamond" structure, coincidentally very similar to classical Gweats dynasty courtly music.

IlL: /* Modes */

2025-07-01T21:30:45Z

Modes

← Older revision		Revision as of 21:30, 1 July 2025
Line 146:		Line 146:
	#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.		#* This mode only exists in theory and is only used in post-Rå̃v Ngúm Sæ̊m works.

	Unlike ~~other cultures in Timeline 1's Theasphere~~, the Æ do not have speech-tone music.		Unlike Hlou-Shum speakers, the Æ do not have speech-tone music.

	The fundamental pitch, ''dó'' (commonly called pitch class 8, see the section on notation), is usually taken to have a value of 2²² vibrations per day (approximately 48.55 Hz) in scientific communities, though traditional Æ ensembles usually have a movable ''dó''. There is usually only one traditional tonic for each mode:		The fundamental pitch, ''dó'' (commonly called pitch class 8, see the section on notation), is usually taken to have a value of 2²² vibrations per day (approximately 48.55 Hz) in scientific communities, though traditional Æ ensembles usually have a movable ''dó''. There is usually only one traditional tonic for each mode:

H. H. P. M. P. Cole at 07:49, 30 June 2025

2025-06-30T07:49:49Z

← Older revision		Revision as of 07:49, 30 June 2025
Line 3:		Line 3:

	Hlou-Shum music is the longest contiguous tradition of Trician music. It is suspected that Hlou and Clofabosin music share a common root, but this is hotly debated.		Hlou-Shum music is the longest contiguous tradition of Trician music. It is suspected that Hlou and Clofabosin music share a common root, but this is hotly debated.

			Æ music is also discussed here.
	==Miscellaneous ideas==		==Miscellaneous ideas==

H. H. P. M. P. Cole at 07:48, 30 June 2025

2025-06-30T07:48:45Z

Show changes

H. H. P. M. P. Cole at 11:23, 17 January 2025

2025-01-17T11:23:05Z

← Older revision		Revision as of 11:23, 17 January 2025
Line 122:		Line 122:
	==Platonic music==		==Platonic music==

	~~insert~~ hemipyth ~~nonsense here~~		Platonic music is generally said to use a hemipyth system. The Lykkerian theorist Zem Ȝattwåþ devised the first known geometric constructions of sqrt(2) and sqrt(3).

	[[Category:Music]]		[[Category:Music]]
	[[Category:Tricin]]		[[Category:Tricin]]

H. H. P. M. P. Cole at 11:15, 17 January 2025

2025-01-17T11:15:49Z

← Older revision		Revision as of 11:15, 17 January 2025
Line 118:		Line 118:
	*'''[[Verse:Tricin/Ve Rein Schnas vög in Wien\|Ve Rein Schnas vög in Wien]]''' - the Trician counterpart to our world's Vienna Philharmonic		*'''[[Verse:Tricin/Ve Rein Schnas vög in Wien\|Ve Rein Schnas vög in Wien]]''' - the Trician counterpart to our world's Vienna Philharmonic

	==Pieces==		===Pieces===

			==Platonic music==

			insert hemipyth nonsense here

	[[Category:Music]]		[[Category:Music]]
	[[Category:Tricin]]		[[Category:Tricin]]

H. H. P. M. P. Cole: H. H. P. M. P. Cole moved page Verse:Tricin/Mpfa Höß Schlaub-Xub/Music to Verse:Tricin/Mpfa Wieb/Music without leaving a redirect

2025-01-12T07:34:19Z

H. H. P. M. P. Cole moved page Verse:Tricin/Mpfa Höß Schlaub-Xub/Music to Verse:Tricin/Mpfa Wieb/Music without leaving a redirect

← Older revision	Revision as of 07:34, 12 January 2025
(No difference)

H. H. P. M. P. Cole at 10:18, 10 January 2025

2025-01-10T10:18:03Z

← Older revision		Revision as of 10:18, 10 January 2025
Line 121:		Line 121:

	[[Category:Music]]		[[Category:Music]]
			[[Category:Tricin]]

H. H. P. M. P. Cole at 08:20, 22 December 2024

2024-12-22T08:20:06Z

← Older revision		Revision as of 08:20, 22 December 2024
Line 1:		Line 1:
	{{construction}}		{{construction}}
	Created by Praimhín and Cole		Created by Praimhín and Cole

			Hlou-Shum music is the longest contiguous tradition of Trician music. It is suspected that Hlou and Clofabosin music share a common root, but this is hotly debated.
	==Miscellaneous ideas==		==Miscellaneous ideas==