Verse:Hmøøh/Talma/Music - Revision history

IlL: IlL moved page Verse:Tricin/Talma/Music to Verse:Hmøøh/Talma/Music without leaving a redirect

2023-01-25T19:47:36Z

IlL moved page Verse:Tricin/Talma/Music to Verse:Hmøøh/Talma/Music without leaving a redirect

← Older revision	Revision as of 19:47, 25 January 2023
(No difference)

IlL: Replaced content with "diatonic[12] but: * less modulation than in Euro music * modes of harmonic and melodic minor * augmented[6] and augmented[9] more common"

2022-09-14T01:44:33Z

Replaced content with "diatonic[12] but: * less modulation than in Euro music * modes of harmonic and melodic minor * augmented[6] and augmented[9] more common"

@@ Line 1: / Line 1: @@
-Base on oneiro (5L 3s) at first, then 26edo?
+diatonic[12] but:
+* less modulation than in Euro music
-h/t tprice and Jaimbee, without whose work on delta-rational chords and oneiro functional harmony this would not have been possible.
+* modes of harmonic and melodic minor
+* augmented[6] and augmented[9] more common

IlL: /* Modern music */

2022-04-02T04:55:19Z

Modern music

← Older revision		Revision as of 04:55, 2 April 2022
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	== Modern music ==		== Modern music ==
			Some oneiro- and related tuning systems that are in use:
			* 13edo or 13wt
			* 18edo or 13wt
			* 13edo adaptive JI (after introduction of JI/RTT)
			* 21edo (after introduction of JI/RTT)
			* 26edo (after introduction of JI/RTT)
			* 31edo (after introduction of JI/RTT)
			* 34edo (after introduction of JI/RTT)
			* semiquartal, diatonic and diasem

	== Contemporary music==		== Contemporary music==
	Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.		Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
	* Suite on the Medieval Talman Slithol		* Suite on the Medieval Talman Slithol

IlL: /* Imperial Windermere music */

2022-03-19T03:06:57Z

Imperial Windermere music

← Older revision		Revision as of 03:06, 19 March 2022
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	"What if gamelan had very sharp fifths instead of very flat ones like pelog"		"What if gamelan had very sharp fifths instead of very flat ones like pelog"

	Based on 3L 2s scales called ''~~sliþol~~'' in Eevo and ~~''slithol'' in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.~~		Based on approximate 3L 2s scales called ''pegol'' in Eevo and ''pigol'' in Naeng.

	~~In Crackfic Tricin, this approximate 3L 2s scale is called ''pegol'' in Eevo,~~ ''pigol'' in Naeng~~, and ''pajgall'' in Talman Irish, coming from **penkw-ālos, from an IE substrate language~~.

	== Post-Revolt music ==		== Post-Revolt music ==

IlL at 05:05, 11 March 2022

2022-03-11T05:05:01Z

← Older revision		Revision as of 05:05, 11 March 2022
Line 1:		Line 1:
	Base on oneiro (5L 3s) at first, then 26edo?		Base on oneiro (5L 3s) at first, then 26edo?

	h/t tprice and Jaimbee, without whose work on ~~pseudo~~-JI chords and oneiro functional harmony this would not have been possible.		h/t tprice and Jaimbee, without whose work on delta-rational chords and oneiro functional harmony this would not have been possible.

	== Todo ==		== Todo ==

IlL at 02:22, 28 February 2022

2022-02-28T02:22:38Z

← Older revision		Revision as of 02:22, 28 February 2022
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	Based on 3L 2s scales called ''sliþol'' in Eevo and ''slithol'' in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.		Based on 3L 2s scales called ''sliþol'' in Eevo and ''slithol'' in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.

	In Crackfic Tricin, this approximate 3L 2s scale is called ''pegol'' in Eevo, ''pigol'' in Naeng, and ''~~padhgall~~'' in Talman Irish, coming from **penkw-ālos, from an IE substrate language.		In Crackfic Tricin, this approximate 3L 2s scale is called ''pegol'' in Eevo, ''pigol'' in Naeng, and ''pajgall'' in Talman Irish, coming from **penkw-ālos, from an IE substrate language.

	== Post-Revolt music ==		== Post-Revolt music ==

IlL: /* Contemporary music */

2022-02-28T02:21:41Z

Contemporary music

← Older revision		Revision as of 02:21, 28 February 2022
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	== Contemporary music==		== Contemporary music==
	Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.		Schngellstein writes counterpoint for oneiro and develops a functional harmony theory for other mosses such as 4L 3s, 5L 4s, and 8L 2s.
	* Suite on the Medieval Talman ~~Pegol~~		* Suite on the Medieval Talman Slithol

IlL at 02:20, 28 February 2022

2022-02-28T02:20:04Z

← Older revision		Revision as of 02:20, 28 February 2022
Line 12:		Line 12:
	"What if gamelan had very sharp fifths instead of very flat ones like pelog"		"What if gamelan had very sharp fifths instead of very flat ones like pelog"

	Based on 3L 2s scales called ''slithol'' in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.		Based on 3L 2s scales called ''sliþol'' in Eevo and ''slithol'' in Naeng (from Talmic soliþ-); it was monophonic and played on inharmonic instruments.

	In Crackfic Tricin, this approximate 3L 2s scale is called ''pegol'' in Eevo, ''pigol'' in Naeng, and ''padhgall'' in Talman Irish, coming from **penkw-ālos, from an IE substrate language.		In Crackfic Tricin, this approximate 3L 2s scale is called ''pegol'' in Eevo, ''pigol'' in Naeng, and ''padhgall'' in Talman Irish, coming from **penkw-ālos, from an IE substrate language.

IlL at 02:12, 28 February 2022

2022-02-28T02:12:08Z

← Older revision		Revision as of 02:12, 28 February 2022
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	== Post-Revolt music ==		== Post-Revolt music ==
	All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be ~~Cualuavian~~		All the JI and RTT people, Tsăhongtamdi, Etsoj Jopah, Rewhd Sgutsis etc. can be Raiđluavian
	=== Classical ===		=== Classical ===
	Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes		Development of a functional harmony theory based on 0-(185)-369-646 and 0-277-738-(923) for the 4 brightest oneiro modes

IlL at 02:10, 28 February 2022

2022-02-28T02:10:49Z

← Older revision		Revision as of 02:10, 28 February 2022
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	Based on idea that different oneiro modes have different moods; composers develop a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale		Based on idea that different oneiro modes have different moods; composers develop a general modal theory for all 8 modes and the LSLLLSLS altered oneiro scale

	When bright instruments such as violins are introduced, Talmans invent 13nejis and other oneiro nejifications		When bright instruments such as violins are introduced, Talmans invent 13nejis and other oneiro nejifications as well as approximate 13edo (tuned with 7/4's)

	== Modern music ==		== Modern music ==