Verse:Hmøøh/Suwáábyíq/Music - Revision history

IlL: /* Styles */

2023-05-08T17:26:32Z

Styles

← Older revision		Revision as of 17:26, 8 May 2023
Line 1:		Line 1:
	== Styles ==		== Styles ==
	* A vocal style similar to our operatic ~~style~~		* A vocal style similar to our operatic singing

IlL at 17:26, 8 May 2023

2023-05-08T17:26:24Z

← Older revision	Revision as of 17:26, 8 May 2023
Line 1:	Line 1:
		== Styles ==
		* A vocal style similar to our operatic style

IlL: Blanked the page

2023-05-08T17:26:00Z

Blanked the page

← Older revision		Revision as of 17:26, 8 May 2023
Line 1:		Line 1:

	~~(Created by User:IlL)~~

	~~Traditional Sowaár music is monophonic. Like in many spheres of Sowaár life, there is a division between elite and folk music. The two styles differ not only in the language used (for elite music,~~
	~~[[Sowaár/Classical\|Classical]] or very posh [[Sowaár\|High Sowaár]]; for folk music, one of the vernacular Sowaár varieties), but also in instruments, scales and form.~~

	~~==Elite music==~~
	~~The Sowaár were highly influenced by the tetrachordal and heptatonic musical traditions of Hetom and Naquiz, but they made the style their own.~~

	~~In traditional Sowaár elite society, one was expected to able to play music and to improvise music and poetry. Courts would routinely hold improvisation competitions.~~

	~~===Instruments===~~
	Some instruments used in elite Sowaár music are the lute (''ya'óog''), various spike fiddles such as the erhu (''shjhedgaáñd''), the lyre (''biliiwíd''), various end-blown flutes (''joweét'''), a reed instrument (''ko'kósh''), a large drum (''khoól'') and the woodblock (''gho'éeñ''). String instruments usually are unfretted but marked at perfect fourths.

	~~===History===~~

	~~===Tuning===~~
	The Sowaár tradition takes an almost purely melodic, rather than harmonic, approach to tuning, unlike the [[Verse:Tricin/Talma/Music\|Talman]] and [[Verse:Tricin/Bjeheond/Music\|Bjeheondian]] traditions. Traditionally, the building blocks of Sowaár scales are genera (tetrachords or pentachords, i.e. divisions of the perfect fourth into three or four intervals). Innovations over the years have led to finer divisions of the perfect fourth being used in elite music. Nevertheless, steps in any genus are no smaller than about 40 cents.

	~~The general term for a genus or a division of the fourth in Sowaár is ''hambaáj''.~~

	The octave may be divided into two perfect fourths plus one whole tone, to form a scale type known as '' 'áañjh''. The perfect fourths divided into ''hañbaaj'' may also be stacked on top of each other indefinitely, without regard to octave equivalence, a practice called ''shiilyohóokhin''. The same ''hambaáj'' or melody may be imitated a fourth above or below in this case. Or, the melody may be voiced in parallel fourths or fifths in an organum-like fashion (the only example of harmony in Sowaár music).

	[[Verse:Tricin/Etsoj Jopah\|Etsoj Jopah]] analyzed ''hambaáj'' in terms of rational divisions of string lengths. More recently, the theorist Woñjéyi proposed representing the Sowaár musical system by dividing the octave into 29 equal parts. One of his rationales was that the perfect fourth in 29edo is 12 steps, a highly composite number.

	~~====Some ''hambaáj''====~~
	~~There are some hundreds of ''hambaáj''.~~

	~~The numbers shown are approximate 29 equal temperament equivalents of step sizes.~~
	~~=====Tetrachords=====~~
	~~Unllike in popular tetrachords, all the small steps may occur near one end like in Ancient Greek tetrachords.~~
	*''esyóoñ'': 5 5 2 (similar to C D E F in Pythagorean tuning)
	*''naajyetóh'': 4 4 4 (similar to the equable diatonic genus)
	*''bajíñd'': 3 4 5
	*''slót'an'': 3 3 6
	*''ohkásdiñ'': 2 1 9
	*''moc'aásh'': 2 5 5

	~~=====Pentachords=====~~
	*''jook'etóh'': 3 3 3 3
	*''jhatóñhesh'': 1 5 4 2

	~~=====Larger ''hambaáj''=====~~

	~~===Rhythm===~~
	Elite music is often set to poetic meter. Improvisations, however, are often meterless. There is a smallest note length, and there may be small basic rhythmic figures in the melody, but the rhythms are not organized into measures. When percussion accompaniment is used, "small" percussion such as woodblocks may sound on each "beat" in the music. The drum marks the beginning and end of sections.

	~~Military music and very solemn ceremonial music uses duple meters such as 2/4 or 4/4.~~
	~~====Meters====~~
	~~Nyeech’ shaasyoj k’iilyañzhaag bisjhesyagi lowaʔasyiin ch’aayekoot’ shiilyohookhin. (LLLLSLLSSSSSSLLSLLSLL)~~

	~~Looʔsyah cy’asde bishooladeeñt’ jhewot’igii ʔaañsyok’ jighoosiiñ sjhedaal. (LLLSSLSLSSSLLLSLLSL)~~

	~~===Forms and styles===~~

	~~===Notation===~~
	Much of Sowaár music was traditionally improvised or passed down. Sowaár notation works a little like unheightened neumes: it marks rhythm and rough melodic contours. The ''hambaáj'' to be used is also indicated. Much is left to the discretion of the performer, however. In vocal music, just the ''hambaáj'' is specified, and the rest is left to the rhythmic and tonal contours of the lyrics.

	~~In modern times, modern Talman staff notation (assuming a 58edo) may be used, although this is often deemed less than satisfactory for Sowaár music.~~

	~~==Folk music==~~
	~~===Instruments===~~
	~~===Social context===~~
	~~===Tuning===~~
	~~====Folk ''hambaáj''====~~
	~~Folk ''hambaáj'' only use tetrachords and pentachords. Tetrachords used in popular music prefer to keep very large steps in the middle.~~
	~~=====Tetrachords=====~~
	~~=====Pentachords=====~~

	~~===Rhythm===~~
	~~Folk songs are meterless while folk dances are metered.~~

	~~===Forms and styles===~~

	~~==Modern popular music==~~
	~~===Instruments===~~
	~~As in many parts of modern Tricin, amplified guitars, bass guitars, drums, electric violins, and keyboards form a typical popular music ensemble.~~

	~~===Language===~~
	The Hosné'eh dialect is the standard language of much of the Sowaár modern popular music canon, though many bands use Hosné'eh-accented High Sowaár, to the chagrin of many a purist. This convention was established by early Sowaár band T'elyamokhliib ("The Grey Ospreys") who hailed from Hosné'eh. Use of pure High Sowaár is limited to "grandiose" songs with historical, fantasy or religious themes, or songs describing upper-class life.

	~~===Genres===~~
	*'''Sowaár math metal''' uses lyrics in complex, Sanskrit-like poetic meters of Classical Sowaár. The music's rhythm follows the poetic meter; heavy metal bass guitars or amplified guitar solos may improvise in traditional Sowaár scales. The lyrics are often in High Sowaár [equivalent of RP], but some are in the Hosne'éh dialect usually used for popular music. Power chords are also often used.

	~~==Famous musicians and composers==~~
	*Dlaác'ox: court composer, erhu player
	*Wonjéyi: theorist and composer
	*Bisrooladéend: musician
	*'Injolaám: modern artist

IlL: IlL moved page Verse:Hmøøh/Suwáábíq/Music to Verse:Hmøøh/Suwáábyíq/Music without leaving a redirect

2023-05-08T17:25:26Z

IlL moved page Verse:Hmøøh/Suwáábíq/Music to Verse:Hmøøh/Suwáábyíq/Music without leaving a redirect

← Older revision	Revision as of 17:25, 8 May 2023
(No difference)

IlL: IlL moved page Verse:Hmøøh/Sowaazhp'i/Music to Verse:Hmøøh/Suwáábíq/Music without leaving a redirect

2023-05-06T17:40:08Z

IlL moved page Verse:Hmøøh/Sowaazhp'i/Music to Verse:Hmøøh/Suwáábíq/Music without leaving a redirect

← Older revision	Revision as of 17:40, 6 May 2023
(No difference)

IlL: IlL moved page Verse:Tricin/Sowaazhp'i/Music to Verse:Hmøøh/Sowaazhp'i/Music without leaving a redirect

2023-01-25T19:47:36Z

IlL moved page Verse:Tricin/Sowaazhp'i/Music to Verse:Hmøøh/Sowaazhp'i/Music without leaving a redirect

← Older revision	Revision as of 19:47, 25 January 2023
(No difference)

IlL: IlL moved page Verse:Tricin/Sowaárp'í/Music to Verse:Tricin/Sowaazhp'i/Music without leaving a redirect

2022-03-27T13:33:31Z

IlL moved page Verse:Tricin/Sowaárp'í/Music to Verse:Tricin/Sowaazhp'i/Music without leaving a redirect

← Older revision	Revision as of 13:33, 27 March 2022
(No difference)

IlL: /* Instruments */

2020-01-18T20:37:41Z

Instruments

← Older revision		Revision as of 20:37, 18 January 2020
Line 75:		Line 75:
	==Modern popular music==		==Modern popular music==
	===Instruments===		===Instruments===
	As in many parts of modern Tricin, amplified guitars, bass guitars, drums and keyboards form a typical popular music ensemble.		As in many parts of modern Tricin, amplified guitars, bass guitars, drums, electric violins, and keyboards form a typical popular music ensemble.

	===Language===		===Language===
	The Hosné'eh dialect is the standard language of much of the Sowaár modern popular music canon, though many bands use Hosné'eh-accented High Sowaár, to the chagrin of many a purist. This convention was established by early Sowaár band T'elyamokhliib ("The Grey Ospreys") who hailed from Hosné'eh. Use of pure High Sowaár is limited to "grandiose" songs with historical, fantasy or religious themes, or songs describing upper-class life.		The Hosné'eh dialect is the standard language of much of the Sowaár modern popular music canon, though many bands use Hosné'eh-accented High Sowaár, to the chagrin of many a purist. This convention was established by early Sowaár band T'elyamokhliib ("The Grey Ospreys") who hailed from Hosné'eh. Use of pure High Sowaár is limited to "grandiose" songs with historical, fantasy or religious themes, or songs describing upper-class life.

IlL: /* Some hambaáj */

2020-01-16T17:45:33Z

Some hambaáj

← Older revision		Revision as of 17:45, 16 January 2020
Line 29:		Line 29:
	The numbers shown are approximate 29 equal temperament equivalents of step sizes.		The numbers shown are approximate 29 equal temperament equivalents of step sizes.
	=====Tetrachords=====		=====Tetrachords=====
			Unllike in popular tetrachords, all the small steps may occur near one end like in Ancient Greek tetrachords.
	*''esyóoñ'': 5 5 2 (similar to C D E F in Pythagorean tuning)		*''esyóoñ'': 5 5 2 (similar to C D E F in Pythagorean tuning)
	*''naajyetóh'': 4 4 4 (similar to the equable diatonic genus)		*''naajyetóh'': 4 4 4 (similar to the equable diatonic genus)
	*''bajíñd'': 3 4 5		*''bajíñd'': 3 4 5
	*''slót'an'': 3 3 6		*''slót'an'': 3 3 6
	*''ohkásdiñ'': 2 9 1		*''ohkásdiñ'': 2 1 9
	*''moc'aásh'': 2 5 5		*''moc'aásh'': 2 5 5

IlL: /* Folk hambaáj */

2020-01-16T17:44:59Z

Folk hambaáj

← Older revision		Revision as of 17:44, 16 January 2020
Line 63:		Line 63:
	===Tuning===		===Tuning===
	====Folk ''hambaáj''====		====Folk ''hambaáj''====
	Folk ''hambaáj'' only use tetrachords and pentachords~~, however all the small~~ steps ~~may occur near one end like~~ in ~~Ancient Greek tetrachords~~.		Folk ''hambaáj'' only use tetrachords and pentachords. Tetrachords used in popular music prefer to keep very large steps in the middle.
	=====Tetrachords=====		=====Tetrachords=====
	=====Pentachords=====		=====Pentachords=====