https://linguifex.com/w/index.php?action=history&feed=atom&title=Linu 2026-05-23T22:25:35Z Revision history for this page on the wiki MediaWiki 1.43.6 https://linguifex.com/w/index.php?title=Linu&diff=522366&oldid=prev 2026-05-10T18:53:58Z

<p></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:53, 10 May 2026</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l93">Line 93:</td> <td colspan="2" class="diff-lineno">Line 93:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Nouns always reflect the sealing of an action and the trace it leaves behind. The verb is sealed by consonants and becomes a noun, a trace. According to the final consonant it takes, it gains a particular traced quality. These final consonants depict the sound and flow as being sealed, cut off, or halted. Outwardly the event looks stopped, but in truth it points to an ongoing act beneath the seal.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Nouns always reflect the sealing of an action and the trace it leaves behind. The verb is sealed by consonants and becomes a noun, a trace. According to the final consonant it takes, it gains a particular traced quality. These final consonants depict the sound and flow as being sealed, cut off, or halted. Outwardly the event looks stopped, but in truth it points to an ongoing act beneath the seal.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>For example, a noun may symbolize that the act of coming has settled in a being, has been delimited, and has left a trace. Gani means "he is coming," while Gazag (foot) means "the organ where the act of coming is halted and completed."</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>For example, a noun may symbolize that the act of coming has settled in a being, has been delimited, and has left a trace. Gani means "he is coming," while Gazag (foot) means "the organ where the act of coming is halted and completed."<ins style="font-weight: bold; text-decoration: none;">&lt;ref&gt;[https://conlang.linu.tr Linu Conlang Web]&lt;/ref&gt;</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Phonetic Semantics (Sound–Meaning Relation) ===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Phonetic Semantics (Sound–Meaning Relation) ===</div></td></tr> </table>

Gencmevtoo https://linguifex.com/w/index.php?title=Linu&diff=522304&oldid=prev 2026-05-10T18:38:02Z

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Gencmevtoo https://linguifex.com/w/index.php?title=Linu&diff=522301&oldid=prev 2026-05-10T18:29:23Z

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Gencmevtoo https://linguifex.com/w/index.php?title=Linu&diff=522147&oldid=prev 2026-05-10T15:40:42Z

<p>Created page with &quot; &lt;!-- An artificial language built on a &quot;Theocentric Action Ontology&quot; that encodes an existential hierarchy into its grammar. The essence of Linu is that words and concepts are not treated as static objects. They occur within the permission granted by the creator’s will and power, and are understood as processes of flow and becoming. It is a fully theocentric language. The universe, the human being, and all existence are shaped by the creator Allah (Liilah) and by a...&quot;</p> <p><b>New page</b></p><div><br /> <br /> &lt;!-- <br /> <br /> An artificial language built on a &quot;Theocentric Action Ontology&quot; that encodes an existential hierarchy into its grammar.<br /> The essence of Linu is that words and concepts are not treated as static objects. They occur within the permission granted by the creator’s will and power, and are understood as processes of flow and becoming.<br /> It is a fully theocentric language. The universe, the human being, and all existence are shaped by the creator Allah (Liilah) and by a worldview in which He remains at the center. Nothing exists outside the creator’s will, and no subject other than the creator truly performs the act in the absolute sense. Persons and things only participate in action within the axis of will permitted by the creator.<br /> <br /> <br /> --&gt;<br /> <br /> <br /> == Introduction ==<br /> <br /> <br /> &lt;!-- The Linu language was developed to demonstrate that everything comes to pass solely through the power and will of the creator Allah. It was conceived as an artistic project intended to form a language suited to supplication, prayer, invocation, wish, and entreaty directed to Allah.<br /> A God-centered approach to language has been adopted. Every sound in its sound system contains a meaning and a rule, and the language is built on the combinations of two-letter verbal roots that arise from those sounds. All other actions, nouns, adjectives, and suffixes are derived entirely from this two-letter verbal system.<br /> The essence of Linu is this: every word spoken or written by a user of the language bears witness to a dynamic process of creation. In its &quot;Li-Nu&quot; character, it is the sounding form of will and becoming.<br /> It was compiled and developed by Mevlüt Baki TAPAN, who had earlier also developed the Al Bakiyye artificial language. It is one of his constructed languages whose development is still ongoing.<br /> --&gt;<br /> <br /> &lt;!-- Example categories/headings: <br /> <br /> Goals<br /> Setting<br /> Inspiration<br /> <br /> --&gt;<br /> <br /> &lt;!-- ***Phonology*** --&gt;<br /> &lt;!-- What sounds does your language use? --&gt;<br /> &lt;!-- Here are some example sub-/other categories:<br /> <br /> Vowel inventory<br /> Consonant inventory<br /> Syllable structure<br /> Stress<br /> Intonation<br /> <br /> --&gt;<br /> ==Phonology==<br /> &lt;!-- ***Phonology*** --&gt;<br /> &lt;!-- What sounds does your language use? --&gt;<br /> &lt;!-- Here are some example sub-/other categories:<br /> <br /> Vowel inventory<br /> Consonant inventory<br /> Syllable structure<br /> Stress<br /> Intonation<br /> <br /> --&gt;<br /> ===Orthography===<br /> ===Consonants===<br /> <br /> ===Vowels===<br /> ===Prosody===<br /> ====Stress====<br /> ====Intonation====<br /> <br /> ===Phonotactics===<br /> &lt;!-- Explain the consonant clusters and vowel clusters that are permissible for use in the language. For example, &quot;st&quot; is an allowed consonant cluster in English while onset &quot;ng&quot; isn&#039;t. --&gt;<br /> ===Morphophonology===<br /> ==Morphology==<br /> &lt;!-- How do the words in your language look? How do you derive words from others? Do you have cases? Are verbs inflected? Do nouns differ from adjectives? Do adjectives differ from verbs? Etc. --&gt;<br /> <br /> &lt;!-- Here are some example subcategories:<br /> <br /> Nouns<br /> Adjectives<br /> Verbs<br /> Adverbs<br /> Particles<br /> Derivational morphology<br /> <br /> --&gt;<br /> <br /> ==Syntax==<br /> ===Constituent order===<br /> ===Noun phrase===<br /> ===Verb phrase===<br /> ===Sentence phrase===<br /> ===Dependent clauses===<br /> &lt;!-- etc. etc. --&gt;<br /> <br /> ==Example texts==<br /> &lt;!-- An example of a translated or unique text written in your language. Again, it is recommended that you make sure that the phonology, constraints, phonotactics and grammar are more or less finished before writing. --&gt;<br /> ==Other resources==<br /> &lt;!-- Example: Word order, qualifiers, determinatives, branching, etc. --&gt;<br /> <br /> &lt;!-- Template area --&gt;<br /> <br /> <br /> [[Category:Linu]]<br /> [[Category:Languages]]<br /> [[Category:Conlangs]]</div>

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